Wednesday, September 25, 2013
Seeing James Jamerson's Unique Style
Here's a visual representation of the riffs played by bass player James Jamerson on Stevie Wonder's recording of For Once In My Life. One of the most influential bass players in pop music, James played on many of Motown's biggest hits with pretty much all the recording stars of that era, usually uncredited. Stevie Wonder's track of this song is often singled out by bassists as the best example of Jamerson's style (he did his own arranging) since no two bars of his bass line are played alike during the entire song.
BTW, he picked the strings mostly with only his right index finger, nicknamed "The Hook".
It is also interesting to note that, troubled by alcoholism, James Jamerson, died destitute in Los Angeles at the age of 47 of cirrhosis, heart failure and pneumonia in 1983, and was said to be bitter about his lack of recognition.
Many of us can recognize the distinctive signature of his bass playing on the dozen #1 hits he worked on for Motown from 1961 through 1973, but most of us don't know his name.
Saturday, September 21, 2013
The Gear We've Collected
iMac work station with M-Audio speaker/monitors and Axiom 25 midi keyboard |
Cigar box kilimba - parts from C.B. Gitty assembled by Billy Radd |
Peavey PV6 audio mixer |
Toca djembe with African cow bells |
Mojohound electric Stomp box |
Alesis practice drum pad |
Zildjian crash ride cymbal and stand |
AC or battery powered Roland Cube Street combo amp |
Battery powered cigar box amplifier made by Dave Bustos, Black Wolf Instruments |
Woodstock Percussion all - metal Kazoo |
Latin Percussion multi - guiro with metal scraper |
Jumbie Jam steel drum |
Latin Percussion Standard & Mini Afuche/cabasas |
Steel Cuica |
Double African shaker, claves, and wood block |
Film can snare drum assembled by Billy Radd |
3-string film-can canjo with Flatpup & sanpele neck made by Billy Radd |
Fender acoustic/electric dreadnought guitar |
Axiom 25 midi keyboard |
Humbucker pickup on Fender Telecaster Custom electric guitar |
250 watt amplifier/mixer with 12 inch Eminence speaker built in a General Electric TV set cabinet by Billy Radd |
Headstock of Fender Telecaster Custom electric guitar |
Ampeg B10N Portaflex fliptop bass combo amp |
Kala acoustic spruce-top U-Bass |
Ampeg B10N Portaflex fliptop bass combo amp |
Fender Rumbler 15 bass practice amp |
Fender Deluxe Active P Bass Special |
Djembe from Mali |
Bowed psaltery made by Dave Lucas |
One-string "Spamjo" Canjo made by Henry Hoover |
Kala Concert Ukulele with tweed case |
Tibetan singing bowl |
Fender Telecaster, Kala u-bass & Kala concert uke |
Red Giant redwood tongue drum made by Steve Roberts |
Chimes, brass gong, wind chimes & triangle on c-stand rack |
Fender Mini Deluxe Combo Amp & Mini Rockers Guitar |
Latin Percussion Aspire bongos |
Toca Surf Drum |
Boghram drum |
Honer Big River Harp & Opera Superior harmonica |
Goodlin Accordion Squeeze Box |
Kilimba made by Steve Catania with "JD" piezo pup attached |
Tascam D-40 portable digital recorder |
DigiTech RP 1000 integrated effects switching system |
Kala California solid swamp ash U-bass |
Metal tone drum made by Carl Peverall |
Tone drum, Casio 465 Sound Tone Bank, Ampeg B10N bass combo amp and Peavey Decade practice combo amp |
3-String Cigar box guitar with hand-crafted humbucker made by Milton Cable |
Supro High-Gain mini amp |
Hand-carved West African krin |
1964 Fender DuoSonic electric guitar |
Film can speaker with Behringer preamp booster and film canjo (speaker and canjo by Billy Radd) |
Mountain Ocarina, Aulos recorder & Guiness model tin whistle |
Ceramic wind chimes |
Keven Spears model autographed electric alto Hugh Tracey African kalimba |
Labels:
3-string cigar box guitar,
Acoustic-Electric guitar,
Ampeg,
bass,
Billy Radd,
bowed psaltery,
C.B. Gitty,
California Ubass,
cigar box kalimba,
djembe,
drum,
Duo Sonic
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