BillyRadd Music

Tuesday, March 18, 2014

Canjo Upgrade


I decided to replace the disc piezo pickup on the inside of my Kodakaster 3 Canjo with a Flatpup4 U hand-made by Elmar Zeilhofer in Vienna, Austria, and specifically designed for the bridge position. This is my third flatpup from Elmar and each one is a vast improvement over a piezo electric pickup with warmer tones, more punch, and, since piezo pickups work by picking up vibrations (sound waves), no annoying handling sounds from touching the metal surface of the old film cans I use to make canjos as they are played.




The Flatpup 4 (meaning flat pick up) is that copper-colored rectangle glued to the top of my canjo. Most conventional humbuckers are much thicker and require a hole cut into the instrument's surface to mount under the strings, while Elmar's flatpups are only 4mm thick and are easy to attach using glue, or a few small screws if you purchase one in a frame. Humbuckers are a type of electric guitar pickup that use two copper coils to cancel out the electrical interference commonly picked up by single coil pickups, Being magnetic, they capture mechanical vibrations of steel strings through the magnetic field produced by the humbucker, and convert them to electrical signals that are then amplified or recorded.
The Flatpup4 U design is a new configuration of Elmar's flatpups that, while more difficult for him to make, take advantage of its position near the bridge on the face of the canjo. If you want an explanation of the physics behind why this happens, please contact Elmar. He builds them and I merely use them because they sound so great on my canjos.

For more about Elmar and his flatpups, go to his page on Cigar Box Nation at:

Thursday, February 27, 2014

Ashe


She’s only made from tonewood, copper, plastic, metal and varnish,

highly machined and carved by skilled craft workers, 

with hidden electronics in nooks and crannies,

but fit together like a fine sports car.

Could it be that these material came together to form

something more alive than some people I’ve met?

Yes, I know that’s not a nice thing to say but Ashe, my little bass,

sings in a low mellow voice, has curves in all the right places, 

is built like a brick you-know-what, and was sent to me through the mail 

in a cardboard box about a year ago already strung and swaddled in bubble wrap.

Between the times we meet to work out together, she waits patiently, 

standing in the wings like a diminutive ballet dancer awaiting her cue.

On my honor, if I ever take advantage of Ashe, fail to respect her,

or abuse our alliance, I will give her away to someone who can 

appreciate her beauty, charm, elegance and faithfulness more than me.

But, that would be the end of a beautiful relationship.

Billy Radd
Asheville

Friday, February 7, 2014

Why I Practice

My Bass Station

My small music room/studio is a real kick in the patootie for someone like me who can’t get enough bass, rock n’ roll and music in general.

I feel there is so little time and so much to learn so wish I’d taken the music lessons on the accordion that my parents offered when I was 12. Accordions always reminded me of Lawrence Welk and were not considered cool by my generation. But, I can’t effect the past, only the present.

Making films and videos made my living, but The Beatles, especially Paul McCartney were my heros. If I could live long enough to be able to play bass AND sing like Sir Paul, I’d be eternally happy. So, I continue to practice to make progress with scales, arpeggios, riffs and licks.

My first electric bass guitar (I’ve owned 6) was a nice little German Framus that my parents bought me in 1964 for my 16th birthday along with an iconic  B12N  Ampeg combo amplifier (not pictured here) which I still use after 50 years. Working as a full-time film maker took me away from practicing bass very much for 40 years but I always thought that someday I'd start playing again and get good at it. This is that someday.

The picture above of my bass practice kit consists of (counter clockwise from the left) a diminutive solid body California model  Kala Ubass that I’ve had for a year and a half, my old Casio Tone Bank CT-650 keyboard sitting on top of an old directors from my film making career, my new Gibson SG Special bass, the very cool DigiTech RP1000 Integrated Effects Switching System, and in the center, my Fender Rumble 15 Combo practice amp which is plenty loud enough for practicing in my little room.

It is true that I can only play one bass at a time, but having two offers a variety of tones AND, more importantly, a comparative basis for polishing up fingering skills since the two basses have very different neck lengths (neck scales), and thus different sized fret spacings.

On the 50th anniversary of The Beatles first appearance on the Ed Sullivan Show I consider this room and my daily presence in it as a direct and continuing reverberation of that seminal event in my artistic life, and indeed, the first time I can remember wanting to play and create music, specifically the bass guitar, or any other creative pursuit.

The Fab Four’s appearance on the pop scene in the early ‘60s facilitated an artistic renaissance that, for my generation and those afterward, caused a realization that art was freedom in the most personal sense. And, that the whole world was our canvas.

I am now practicing bass every day for one to two hours and even at my “seasoned” age of 66 years, I am slowly but consistently getting better at it. So now, when I hear the phrase, “You can never go back”, I think, “Wrong, wrong, wrong!” Reinventing yourself at any age is limited only by one’s own negativity and, given enough time, anything can be achieved through dedicated practice and step-by-step discipline.

That’s exactly how the Beatles got to be showcased on The Ed Sullivan 50 years ago and why the surviving members, Paul and Ringo, are still actively performing today.

Practice is how I learned cooking, filmmaking, being a parent, Tae Kwon Do, and now, playing bass.

Practice is The Only Way!


Wednesday, January 22, 2014

Saturday, January 18, 2014

Gibson SG Special Bass

The Newest Member of the Billy Radd Family

Jan. 10th, 2014
I checked one of these today at a local guitar shop and was quite impressed. The price point seems just right, especially when compared to the other short-scale basses available on the market. I have short fingers, and am only 5'8" and this bass really fits my frame. The satin finish is not real fancy but looks great and feels nice to the touch. It is as light as many hollow and semi-hollow body basses I have played, but seems very solidly built. Plus, the hardware is quite adequate with beefy Grover machines and two Gibson humbuckers. 

Jan. 13th, 2014
I have been looking for the perfect short scale bass for a few months now and I think I have found it. To tell the truth, there aren't many out there that have a classic style, are well-balanced, made with quality materials that are reasonably priced AND made in the USA. I'm going to buy a Cherry Satin model today, plug it into my '63 Ampeg Portaflex Combo and let 'er rip. We'll see if short scale SG measures up to my expectations. I will be changing the round wound strings it comes with to flat wounds but the rest of the package seems very utilitarian and high quality. Finally, a Gibson I can afford. 
Jan. 16th, 2014
Just received my own Gibson SG Special Bass from Musicians Friend today and have been happily playing it for the last couple of hours. So far, I am very impressed with it's ease of playing and classic design. I usually use flat wound strings on my basses instead of the supplied round wounds but I think in this case I will just go with the strings that came on it for a while. The bass was set up well and darned near in tune right our of the box. I ordered it online on Monday morning and received it Thursday morning with free shipping from Musicians Friend.
I particularly like the 2 different humbucker pickups which give you quite a range of tones with each one having it's own volume control along with the master tone knob controlling both. And, I really like the satin (matte) finish on my Cherry version, as well. Plus, the CG Special Bass 2014, while being so much lighter than a standard sized electric bass, is still sturdily built with a solid, one piece mahogany body, Gibson's glued-on short scale mahogany neck, Grover tuning machines, and 3-way adjustable bridge. Mine also came with a nice, plush-lined hard shell Gibson case. 

Nice!

In short, I still wouldn't call it very fancy, but it is attractive and seems to be a good solid value. I'm looking forward to many years of playing this affordable tone monster from Gibson. BTW, did I mention that it's made in good ole Nashville, USA?

Wednesday, December 11, 2013

Thanks


In the three years I’ve been lucky enough to be back into playing stringed instruments, I have been fortunate to amass quite an eclectic collection.

Starting from the left:
  1. Kala California Ubass (more bass, less space) 
  2. Utah Plates Electric 4-String Guitar
  3. Fender Telecaster Custom Guitar
  4. Fender CD60CE Acoustic/Electric Dreadnought
  5. Fender 1964 DuoSonic Guitar
  6. Cigar Box Guitar by Milton Cable
  7. Kala KA-CG Acoustic Concert Ukulele
  8. Kodakaster4 3-String Electric Canjo
Note: Click on the links above to read more about each instrument.

I am finding that each one brings me happiness through playing them in their own individual way. I try to practice at least once a day with one or more of these instruments. Along with all my great family members, friends, experiences, and occurrences in my life, I find it particularly meaningful and humbling to recognize, especially during the holiday season, the many advantages, both spiritually and physically, that I have had.

In short, I've got it made and I know it.

I hope you all have a wonderful time this holiday, and see that most of us have much to be thankful for.